Mizuumi-Con 2011

UPDATE: The president of the Mizuumi-con sponsoring organization “Patrick “Enzan” Lloyd” replied below, and apparently the empty tables were the result of no-shows.

Mizuumi-Con is special for me because it is where this crazy trip called “creativity” began.  I first attended Mizuumi-Con back in 2009, where I attended two panels.  The first was with Kevin M. Connolly, who discussed voice acting.  The second was Chris Holm’s panel which talked about ‘inspiring artists.’  Kevin provided insight on doing voiceovers, and the message of Chris’ panel was…well, “get off your ass and do something.

A few days later, I was flipping through old notes, trying to figure out what old ideas might be worth dusting off.  A few weeks later, I would meet with Chris and a couple of other guys to form what would eventually become First Storm Manga.

This would actually be my second Mizuumi-Con behind the First Storm Manga table in the dealer/artist area.  Unlike other cons, Mizuumi puts both artists and dealers in the same space.  Last year, it was a madhouse; the space was packed to the gills with artists, dealers, and more importantly, customers.  In an effort to ease the congestion, and I presume, get more dealers and artists involved, it was decided that a second room, dubbed the “Annex,” would contain the spillover.

It was a good idea on paper, but a few things kept it from working as well as it should have:

  1. Distance – The two artist/dealer areas were at opposite ends of the OLLU campus from each other, so if you wanted to check both of them out, it was a decent hike.
  2. Layout – The layout of the tables at the Annex was awful.  They had the tables start at the walls and go in towards the middle of the room.  This is great if you get a good spot in the middle of the room, but sucks if you are by the wall.  Even if you are an attendee, having to constantly double-back is annoying and it didn’t take very many people to make things crowded.
  3. Planning – In the main artist/dealer area we had at least a dozen tables that went unused.
  4. Organization – Some of those people in the Annex could have been moved over to those empty tables but nobody in charge figured it out.

I went by the Annex a few times to say hi to friends and check up on them.  It was crowded, hot and quite a few of my artist friends did not do as well sales-wise as they would have liked to.  In contrast, the artists I knew that were in the original location did fairly well and things never got too hot or too crowded there.

Despite the Annex goof-up, I had fun talking to people about First Storm Manga and our own upcoming September event, the Mezasu mini-con. Mizuumi appeared to draw a good crowd and it looked like folks were having a good time.    Mizuumi is a fun one-day event, and I try to encourage folks new to the anime scene to attend it as a starting point.  I look forward to coming back next year; hopefully they will have worked out the kinks in the artist/dealer area.

A final note: If it sounds like I’m harping about the artist/dealer room thing it’s because I personally know just over half a dozen people that had tables there and I feel bad for the ones that got shafted.  Hopefully things will be better next time.


5 thoughts on “Mizuumi-Con 2011

  1. Proz says:

    Chris P., in charge of the room, told me the reasons why. I will say that next time I hope they actually TALK to the people who were planning to use the tables OR after a certain time (say after 12pm) that the people forfeit the table and anyone else can move there or pick them up for a discount. I would give some more colorful commentary to insert my thoughts but it is no longer my call since they run it all now

    • It wouldn’t have bothered me so much if it wasn’t so many. 3 or 4, yeah, I can see, things happen and people bail, but A DOZEN? Someone was asleep at the wheel, IMO.

  2. As president of the sponsoring organization, I too was bothered about the empty spots in the AAA. I spoke with our Artist/Vendor organizer about midday on ConDay, he said the tables WERE sold before the convention, the people who purchased them just chose not to show, as to why, I don’t really know and I really do wish to offer my apologies to those artists that felt a little cheated about the empty table next door, however it looked like the missing artists were going to show, hopefully next year this problem will be fixed.

    Patrick Lloyd
    Mizuumi Con 4 President.

  3. Thanks for letting people know what went down, as you said, hopefully things will be worked out for next time. IMO there are two big issues here that need to be addressed for next year:

    First, you have clearly outgrown your existing artist/dealer space, Mizuumi has grown to the point where you should probably consider putting the artists and dealers in the gym. Doing so will also keep everything closer together.

    Secondly, there needs to be someone in charge of the Artist Alley that is actually there to address things that come up. Last year we had a spill that never got cleaned and I this year I only saw a single staffer all day in AA. I asked him if he could do something about getting a power strip run to our area. He said he was with security and couldn’t do anything about it. Gee, thanks.

    While those are minor issues, eventually something is going to happen that is going to require somebody to make a decision. If no one in a position of authority is there to do so it could end badly.

  4. I was a little peeved because a couple of my friends were showcasing in the artist alley and told me about the empty spots. I wanted a table but was told there was no space for me. Whatever, I still went and even went as far as to blanket the city with fliers for the event – just to help give my artist friends a little traffic boost.

    I had fun, second year in a row! Ransacked Otaku Cafe and took plenty of pictures.

    Anyone from the convention committee reading this – follow my name to my D.A. site and drop me a line for next year – I’ll definitely be there! 🙂

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